Why Documenting My Process Changed the Artwork

Why Documenting My Process Changed the Artwork

Dina Goebel

One of the unexpected outcomes of Fragile Futures hasn't been the finished artworks. It's been what happened when I began documenting them.

Like many artists, I have always photographed work in progress and occasionally jotted down notes. But over the past year I have taken that much further, producing detailed case studies that record not just what I made, but why I made particular decisions, what failed, what changed, and what I learned along the way.

Initially, I saw this as documentation.

I now realise it has become one of the most valuable creative tools in my studio.

Seeing What I Couldn't See While Making

When you're immersed in creating, decisions happen quickly. You respond intuitively to colour, composition, materials, or form. One decision leads to another, and before long you've travelled a considerable distance from where you began.

The shift is often so gradual that you don't notice it.

Writing a case study forced me to revisit those decisions in sequence. Rather than looking only at the finished work, I was looking at the path that led there.

That changed everything.

The Brittle Star Case Study

While documenting my Gathered with Care series, I realised something I hadn't fully recognised during the making itself.

The original intention was to explore the aesthetics of collecting and the subtle attraction we feel towards preserving nature. Yet as the panels developed, my decisions had gradually shifted towards the visual language of museum displays and natural history collections.

Neither direction was wrong.

But they were telling different stories.

Without documenting the process, I'm not convinced I would have recognised where that narrative drift had occurred, or understood why the finished work no longer felt entirely aligned with my original intention.

Reflection Isn't Looking Back

I used to think reflection happened after an artwork was complete.

Now I see it differently.

Writing has become part of the making process itself. It helps reveal recurring habits, assumptions, and decisions that are almost invisible while you're working. Sometimes it confirms your instincts. Sometimes it exposes questions you didn't know you were asking.

In the case of Gathered with Care, it highlighted a tension that continues to shape the work today.

Gathered with Care: Brittlestars, Panels I, II & III, 2026. Padico air-dry stone clay, acrylic paint, birch panel board 80cm x 120cm.

 

More Than a Record

I once thought these case studies would simply become an archive of finished projects.

Instead, they have become a conversation with my own practice.

They have influenced later artworks, clarified my intentions, and helped me recognise patterns that would otherwise have disappeared into memory. More importantly, they have reminded me that creative development doesn't only happen through making.

Sometimes it happens through slowing down long enough to understand what the making has already taught you.

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