Studio Writings | Sculptural Practice & Process
Why Documenting My Process Changed the Artwork
One of the unexpected outcomes of Fragile Futures hasn't been the finished artworks. It's been what happened when I began documenting them.
Why Documenting My Process Changed the Artwork
One of the unexpected outcomes of Fragile Futures hasn't been the finished artworks. It's been what happened when I began documenting them.
An Ethical Studio Tension in Collected Forms
The most confronting tension inside Collected Forms has not been technical. It has been ethical - somewhere in the process, I drifted.
An Ethical Studio Tension in Collected Forms
The most confronting tension inside Collected Forms has not been technical. It has been ethical - somewhere in the process, I drifted.
Am I Kidding Myself?
On self-doubt, shifting audiences, and presenting as an artist There is a question that sits underneath this phase of my practice, and it tends to surface when I consider the...
Am I Kidding Myself?
On self-doubt, shifting audiences, and presenting as an artist There is a question that sits underneath this phase of my practice, and it tends to surface when I consider the...
Working in the Uncomfortable Middle
As I move deeper into Fragile Futures, the work is no longer about producing objects, but staying with questions that resist clarity. This stage is uncomfortable, slow, and uncertain -...
Working in the Uncomfortable Middle
As I move deeper into Fragile Futures, the work is no longer about producing objects, but staying with questions that resist clarity. This stage is uncomfortable, slow, and uncertain -...
The Work You Don’t See: Making Sculptural Art w...
People often think 3D printing does the work. What they don’t see is the time spent designing, calibrating, testing, failing, reprinting, sanding, colouring, and deciding whether a piece is even...
The Work You Don’t See: Making Sculptural Art w...
People often think 3D printing does the work. What they don’t see is the time spent designing, calibrating, testing, failing, reprinting, sanding, colouring, and deciding whether a piece is even...
Launching Fragile Futures: When Preservation Be...
Right now, my work is sitting under glass domes at Foster Gallery as part of Vitamin Sea, a joint exhibition with Jacqui Christians. On the surface, the work looks delicate. Jellyfish....
Launching Fragile Futures: When Preservation Be...
Right now, my work is sitting under glass domes at Foster Gallery as part of Vitamin Sea, a joint exhibition with Jacqui Christians. On the surface, the work looks delicate. Jellyfish....